The Teichoskopia in Euripides’Phoenician Women: The War seen from the Walls
Keywords:
Teichoskopia, Euripides, Phoenician women, Aeschylus, Seven against ThebesAbstract
Euripides’ Phoenician Women includes a teichoskopia in which the dramatist partially reworked the shield scene in Aeschylus’ Seven Against Thebes.. Analyzing the teichoskopia in light of the Aeschylean scene allows one not only to understand its function in the play, a function even now still open to interpretation, but also to perceive how Euripides saw the war.
Downloads
References
ALUJA, R. (2014),“Reexamining the Lille Stesichorus: about the Theban Version of Stesich. PMGF222b”, en M. Reigy X. Riu(eds.), Drama, Philosophy, Politics in Ancient Greece. Contexts and Receptions, Barcelona: Universitat Barcelona, pp. 15-37.
AMIECH, C. (2004), Les Phéniciennes d’Euripide.Commentaire et traduction, Paris: L’Harmattan.
ARTHUR, M. B. (1977), “The Curse of Civilization: the Choral Odes of the Phoenissae”, Harvard Studies in Classical Philology,81: 163-185.
BALDRY, H. C. (1956), “The Dramatization of the Theban Legend”, Greece and Rome, 3.1: 24-37.
BARRETT, J. (2002), Staged Narrative. Poetics and the Messenger in Greek Tragedy, Berkeley: University of California Press.
BRIOSO SÁNCHEZ, M. (2006), “Algunas observaciones sobre el mensajero en el teatro ático clásico”, en A. Calderón, E. Morales, M. Valverde (eds.), KOINÒS LÓGOS. Homenaje al profesor José García López, Murcia: Universidad de Murcia, pp. 111-119.
BURGESS, D. L. (1987-1988), “The Authenticity of the Teichoskopiaof Euripides’ Phoenissae”, Classical Journal,83: 103-113.
BURNETT, A., 1988, “Jocasta in the West: The Lille Stesichorus”, Classical Antiquity, 7.2: 107-154.
DI GREGORIO, L. (1967), Le scene d’annunzio nella tragedia greca, Milano: Vita e pensiero.
EBENER, D. (1964), “Die Phönizierinnendes Euripides als Spiegelbild geschichtlicher Wirklichkeit”, Eirene, 2: 72-79.
ENCINAS REGUERO, M. C., 2010, “Die Darstellung der Sieben in Euripides’ Phönissen. Der Fall des Kapaneus”, Würzburger Jahrbücher fürdie Altertumswissenschaft,34: 25-37.
FLINTOFF, E. (1980), “The Ending of the Seven against Thebes”, Mnemosyne33.3-4: 244-271.
FOLEY, H. P. (1985), Ritual Irony. Poetry and Sacrifice in Euripides, Ithaca-London: Cornell University Press.
FUHRER, T. (2014), “Teichoskopie: der (weibliche) Blick auf den Krieg”, Hyperboreus, 20: 23-41.
GARCÍA GUAL, C. (1979; reimpr. 1985), Eurípides. Tragedias III, Madrid: Gredos.
GARLAN, Y. (1966), “De la Poliorcétique dans les Phéniciennesd’Euripide”, Revue des Études Anciennes, 68: 264-277.
GOFF, B. E. (1988), “The Shields of Phoenissae”, Greek, Roman and Byzantine Studies,29: 135-152.
GONÇALVES, C. (2001), “O motivo épico da teichoscopia. Confronto do modelo de Ilíada,166-242 e de Fenícias,88-196”, Humanitas,53: 141-169.
GOSTOLI, A. (1978), “Some Aspects of the Theban Myth in the Lille Stesichorus”, Greek, Roman and Byzantine Studies, 19.1: 23-27.
HAMAMÉ, G. N. (1998), “La escena de los escudos en Feniciasde Eurípides”, Synthesis,5: 73-84.
HARTIGAN, K. (2000), “Why ‘Phoenician’ Women?”, Eranos,98: 25-31.
HASLAM, M. W. (1976), “Interpolations in the Phoenissae: Papyrus Evidence”, TheClassical Quarterly, 26.1: 4-10.
HILTON, I. (2011), A Literary Study of Euripides’ Phoinissai, Diss. University College London.
HOSE, M. (1990), Studien zum Chor bei Euripides, Teil 1, Stuttgart: Teubner.
HUTCHINSON,G.O.(1985),Aeschylus. Septem contra Thebas, Oxford: Clarendon Press.
JONG, I. J. F. de (1991), Narrative in Drama. The Art of the Euripidean Messenger-Speech. Leiden: Brill.
KIRK, G. S. (1985), The Iliad: A Commentary, Vol. I, Cambridge: University Press.
LAMARI, A. A. (2007), “Aeschylus’ Seven against Thebesvs. Euripides’ Phoenissae: Male vs. Female Power”, Wiener Studien, 120: 5-24.
LAMARI, A. A. (2010), Narrative, Intertext, and Space in Euripides’ Phoenissae, Berlin-New York: Walter de Gruyter.
LAMARI, A. A. (2017), “Phoenician Women”, en L. K. MCCLURE(ed.), A Companion to Euripides, Oxford: Wiley-Blackwell, pp. 258-269.
LENTINI, G. (2013), “Tra teikhoskopiae teikhomakhia: a proposito delle mura nell’Iliade”, Scienze dell’Antichità, 19.2-3: 187-195.
LESKY, A. (1969; reimpr. 1989), Historia de la literatura griega, Madrid: Gredos (trad. de Geschichte der griechischen Literatur, Bern, 19632).
LLOYD-JONES, H. (1959), “The End of the Seven against Thebes”, The Classical Quarterly9.1: 80-115.
LOVATT, H. (2013), The Epic Gaze. Vision, Gender and Narrative in Ancient Epic, Cambridge: University Press.
MASTRONARDE, D. J. (1978), “Are Euripides Phoinissai1104-1140 interpolated?”, Phoenix,32: 105-128.
MASTRONARDE, D. J. (1994), Euripides. Phoenissae, Cambridge: University Press.
MEDDA, E. (2006), Euripide. Le Fenicie, Milano: Rizzoli.
MORIN, B. (2001), “La séquence des boucliers dans les Phéniciennesd’Euripide (vers 1104-40): un bestiaire mythique au service de l’unité athénienne?”, Revue desÉtudes Grecques, 114: 37-83.
MUELLER-GOLDINGEN, C. (1985), Untersuchungen zu den Phönissendes Euripides, Stuttgart: Steiner.
MURRAY, G. (1909), Euripides fabulae, Vol. III, Oxford: Clarendon Press.
ORWIN, C. (1980), “Feminine Justice: The End of the Seven against Thebes”, ClassicalPhilology75.3: 187-196.
PAPADOPOULOU, T. (2005), Heraclesand Euripidean Tragedy, Cambridge: University Press.
PAPADOPOULOU, T. (2008), Euripides: Phoenician Women, London: Duckworth.
PEREA MORALES, B. (1986; reimpr. 1993), Esquilo. Tragedias, Madrid: Gredos.
PODLECKI, A. J. (1962), “Some Themes in Euripides’ Phoenissae”, Transactions of the American Philological Association, 93: 355-373.
PODLECKI, A. J. (1964), “The Character of Eteocles in Aeschylus’ Septem”, Transactions of the American Philological Association, 95: 283-299.
REBUFFAT, R. (1972), “Le sacrifice du fils de Créon dans les Phéniciennesd’Euripide”, Revue des Études Anciennes, 74: 14-31.
ROISMAN, H. M. (1990), “The Messenger and Eteocles in the Seven against Thebes”, L’Antiquité Classique, 59: 17-36.
ROMILLY, J. de (1965), “Les Phéniciennesd’Euripide ou l’actualité dans la tragédie grecque”, Revue de Philologie, de Littérature et d’Histoire Anciennes, 39: 28-47.
SAÏD, S. (1985), “Euripide ou l’attente déçue: l’exemple des Phéniciennes”, Annali della Scuola Normale Superiore di Pisa,15: 501-527.
SAXONHOUSE, A. W. (2005), “Another Antigone. The Emergence of the Female Political Actor in Euripides’ Phoenician Women”, Political Theory, 33.4: 472-494.
SCHWARTZ, E. (1887), Scholia in Euripidem, Vol. 1, Berlin: Georg Reimer.
SCODEL, R. (1997), “Teichoscopia, Catalogue, and the Female Spectator in Euripides”, ColbyQuarterly, 33.1: 76-93.
SILVA, F. (1985-1986), “Elementos visuais e pictóricos na tragédia de Eurípides”, Humanitas,37-38: 9-86.
SILVA, F. (1993), “Etéocles de Fenícias. Ecos de um sucesso”, Humanitas,45: 49-67.
SOARES, C. (1996), “A descriçâo do exército em Eurípides”, Humanitas,48: 61-94 (trabajo recogido en C. SOARES, O discurso do extracénico. Quadros de guerra em Eurípides, Lisboa: Colibri, 1999, pp. 27-53).
SOARES, C. (1998), “A descriçâo do exército de Eurípides. II-b) O choque de falanges nas falas dos Mensageiros de Fenícias”, Humanitas,50: 17-47 (trabajo recogido en C. SOARES, O discurso do extracénico. Quadros de guerra em Eurípides, Lisboa: Colibri, 1999, pp. 83-111).
TSAGARAKIS, O. (1982), “The Teichoskopiacannot Belong in the Beginning of the Trojan War”, Quaderni Urbinati di Cultura Classica, 42: 61-72.
VERRALL, A. W. (1895), Euripides the Rationalist. A Study in the History of Art and Religion, Cambridge: University Press.
VIDAL-NAQUET, P. (1989), “El escudo de los héroes”, en J-P. VERNANT, P. VIDAL-NAQUET, Mito y Tragedia en la Grecia antigua, II, Madrid: Taurus (trad. de Mythe et Tragédie en Grèce ancienne, Tome II, Paris 1986), pp. 123-157.
ZEITLIN,F.I.(1982),Under the Sign of the Shield. Semiotics and Aeschylus’ Seven against Thebes, Rome: Edizioni dell’Ateneo.
